The Rachel Morgan saga continues! I was looking forward to this book because, despite my recent disappointment with the direction of the series plot, the idea of the Hollows world, its originality, relatable characters, and fantastic imagery alight my imagination and enthrall me with intricate twists Kim Harrison weaves. We learn much more about what happened to Kisten and the role Rachel played in his death, however anticlimactic and unimportant the perpetrator is. I was hoping that, with Harrison’s prowess at throwing bombshells this would open up another underlying forewarning of a bigger plot yet to come, but it was not to be. Instead, the reasons behind seems solely for the punishment of Ivy, Rachel’s live-in vamp and fellow runner, so that she can further become a tortured soul.
Speaking of souls, I do believe there was a bit of foreshadowing on just how Rachel may be able to save the vampire race’s souls after death so that they don’t become living instinctual animals, a mere shadow of their selves. It makes sense that, because of Rachel’s high-profile demon-dealing has gotten her shunned, thusly excommunicating her from her witchy world and family, however the reason Harrison has done this (transparently) worry me. Cutting Rachel off from everyone who makes her who she is (including Marshal), it would appear the only person she has left to lean on is Ivy. Which, many of her audience wishes to see a same-sex relationship with her, and that to me is very perturbing. That shouldn’t take precedence, but feels like it’s going to be more of a storyline than it should be. The theme of this story was being alone, and now she is truly utterly alone.
Another curve ball that seemed like after-thought fabricated back story for Rachel was the appearance of ghost named Pierce. And, because of his complete unattainability, he is extremely “Rachel-ly”. I know. I was disappointed too. When we emotionally invested so much into Marshal, and for him to completely walk away from her due to being shunned was a bit of a head-scratcher. The way Harrison had portrayed him, Marshal seemed to have more depth than that – and understanding. But, Harrison seemed to think he was now an inconvenience, so snip! Just like she did to Nick, only Nick was an interesting plot twist.
While I still love the idea of new Inderlander breeds, the beauty of the Hollows and its people, the plots seem to become quite predictable, as are the actions of the characters despite the plot twists thrown in. I also enjoy how Harrison isn’t afraid to bring death into the mix. She’ll kill of characters when things get thick – just like in real life – no one is magically saved and there is no reset button. In bad situations there is collateral damage. I’m glad she’s not afraid to do that, it’s just the ulterior motives behind the scenes I worry about. I’m curious to see where it’s going to go from here. I just hope Harrison doesn’t sacrifice her wide-eyed naïve protagonist who can kick some serious butt for the sake of satisfying her audience begging for something better suited for a Laurel K Hamilton book.